Within the quiet atmosphere of a hotel bar near London's prestigious dance company, Matthew Ball orders a mint tea. His carriage is naturally upright, his arms defined beneath a simple white T-shirt. On stage, ballet dancers can seem as mighty deities, yet often in person they are petite. This is not true for Ball, whose height is one reason for his demand for princely characters and pas de deux work. With fine traits and piercing eyes, there's a touch of a brooding actor about him.
A Seamless Rise to the Top
Now 31, Ball is experiencing the peak of a career that has advanced seamlessly. Growing up in Liverpool, he faced little teasing for his childhood passion in ballet. Entering the esteemed training institution at 11, he moved straight into the troupe and was advanced annually, reaching the top rank of lead dancer in 2018. He has loved taking on substantial characters, particularly the emotional angst found in a famed choreographer's ballets.
"Your breath is short, your legs get heavy, but it’s really a neural fatigue."
Ball's next starring role is as himself, in an "In Conversation" series aiming to offer intimate perspectives into a performer's art. He will guide the audience through a part, demonstrating his cognitive process while execution. Yet in lighter ballets, the challenge is significant. "Don Quixote is one of the most demanding technically," he states.
The Mental Game and Post-Performance Emotions
How does he feel following a show, when he has pulled it off? "It's pretty good," he says. "However because I'm trying to extract all the juice out of it, and get immersed in the role, quite often I do feel embarrassed afterwards. After Mayerling I'm always like: Wow, what must people think?"
In person, Ball is reflective, polite, and quick to laugh at himself. Yet a choreographer previously observed on a "sense of suffering in him." Is there? "I am very energetic usually, but I do have a melancholy streak," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for good change."
Early Drivers and Creative Inspirations
His tenacity stemmed from youthful setbacks. Not excelling in competitions at school made him "vengeful!" It was motivation to demonstrate he could achieve. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he remembers.
An upcoming challenge is making his own dance works. In his view, "there's nothing wrong with." "Challenging the conventions is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be loaded with substance, drawing inspiration from literature, music, and art.
Intimate Dance and Private Dynamic
He additionally is interested in presenting dance in smaller spaces. "It was just really thrilling," he says of a past experience. "You’re so near to the audience. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"
Ball has made pieces with his girlfriend, fellow lead dancer Mayara Magri. The degree of trust between them is evident. "We tried it out on the beach first," he says of a daring lift. "It was like Dirty Dancing." They aren’t usually matched on stage at their home company, which is perhaps healthy. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s biggest supporter."
On Social Media and Physical Image
On Instagram, fans can see clips from his projects and photos that highlight a sculpted physique. Does he care that the engagement can be a bit focused on appearance? Not really. "The body is just what we use, so I don’t feel very precious about it," he states. He relates it to seeing Michelangelo’s David—an object that can be seen on multiple ways.
Ball describes his younger self as "eager for success." Has it met his expectations? "I feel very aware of how reality is a separate thing to the dreams you made as a young person," he reflects. He likely has another decade of dancing left. "I suppose in the future, I want to be a bit more kind with myself."